Do
You Write in Flow?
By Stephen Wertzbaugher
As a technical writer
and aspiring fiction writer, I am always searching for tools that will improve
my productivity in both genres. For me, writing is on-again, off-again: some days
my fingers fly across the keyboard so fast that my brain has trouble keeping up;
while others it's a titanic struggle just to squeeze a single word onto the blank
page. Many of my writer friends also complain of similar periods of feast or famine,
so I guess this is a common phenomenon of our field. But does the creative process,
whether used to create imaginary worlds or document a complicated software application,
have to be so hit or miss?
While I have yet to find a book dedicated to
finding your technical writing muse, the fiction-writing world contains many attempts
to teach writers how to write in flow or find their muse. And while the systems
described in these books are intended for the fiction or poetry writer, they can
be applied by the nonfiction or technical ink-stained wretch who may be struggling
with putting words to paper. One treasure that I discovered is Writing in Flow:
Keys to Enhanced Creativity, by Susan K. Perry (Writers Digest Books, 1999).
What
is "writing in flow"? Writing in flow is the currently fashionable phrase
for the old writers' term, "finding your muse." When writing in flow,
the writer loses all sense of time and space, becoming totally immersed in her
work until some time later--minutes, hours, or even after an entire day--she remembers
to breathe and pulls herself back into the physical world. During this time there
are usually no thoughts of hunger or thirst, quotidian trivia like the bills and
the laundry, or impossible deadlines. You are the words and the words are you.
Writing in flow is the closest thing I've found to achieving a writer's heavenly
high without actually ingesting mind-altering drugs.
So, how do you achieve
this writer's nirvana? Perry's book delves into the subject, explaining exactly
what writing in flow is and what it feels like, the master keys to writing in
flow, and finally how to make your writer's flow happen. In this last section,
Perry discusses several techniques writers can use to help induce the state of
flow. And while I am sure that many of you already practice these techniques,
it never hurts to be reminded of what we can do to improve our writing technique
and productivity. A few of the techniques discussed by Dr. Perry:
Ritual
and routine
Ritualizing your behavior focuses your mind on your current
task and removes the pressure of what other might think of your writing when you
are finished. During this time there is no room for any distractions or thoughts
except for what you are writing.
Clearing your desk
Sometimes,
when shifting priorities force us to begin a new project before the previous one
is complete, staring at your notes and e-mails about the previous project can
distract you. Clear this material from your desk so that it is out of sight, out
of mind, before beginning the new project.
Just do it
Many experienced
writers have developed the ability, through years of patient practice, to enter
the flow state simply by immersing themselves immediately and fully into their
current work. If this works for you, then "just do it."
Musical
aids
Often, listening to certain types or even specific pieces of music
can instill a flow state. This is one of my favorite flow techniques, and I use
different kinds of music for different kinds of writing: classical and instrumental
movie sound tracks for fiction; and folk music, certain types of rock, and jazz
for technical and nonfiction pieces.
Simple silence
Often, loud
voices, ringing phones, and other interruptions stifle a writer's creativity.
This was a really big killer for me when I first began writing, and under certain
circumstances it still is. If silence is your road to flow, buy some sort of white
noise machine for your cubical, or if you are lucky enough to have an office with
a door, close it before you begin to write. Better yet, invest in a pair of high-quality
headphones capable of blocking extraneous sounds. Silence, you'll find, is golden.
I've
tried all of the techniques discussed by Perry at least once and have chosen those
that work best for me. And if you too need help with rediscovering or improving
your writing productivity, I recommend Perry's book. After all, what could be
better than having writer's nirvana at your beck and call, rather than waiting
for a balky muse that may never sing? Writing in flow, how smooth the sound!
Stephen
Wertzbaugher is a member of the STC Rocky Mountain chapter, and editor of the
chapter's newsletter, Technicalities.
Stephen can be reached at stephen@imrgold.com.